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November 4, 2019
November 4, 2019


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“De Trejo, also debuting in her role, looked ideal as a chaste girl. She brought an unforced,
almost conversational style of singing to Marguerite’s complex three-part aria in the garden
scene that was the highlight of the evening. Her voice fit beautifully into the layered textures of
Gounod’s orchestration.”

– St. Petersburg Times, John Fleming


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